In Isabelle de La Touche’s eyes, painting is a mean of exploration. The plasticity of her modelling as well as the slow declination of her “invisible” white surfaces contribute to the recreation of a three dimensional space slowly leading her into the world of sculpture and installations.


Her debut into painting took the form of an artistic and technical apprenticeship in the studio of Armando Morales, intervening in the first coat of his canvases as well as practicing still life painting. Later she abandons color for a slow work of revelation. There her protocol leads her to alternate thicker opaque layers with subtle transparencies until reaching timelessness. Her slow declination of white hues, shapes and lights evoke an infinite utopia, a meditation on time and space, a vanity.


For the last few years, the artist mingles her own story with History, creating compassionate links to others. This is how she transformed a small piece of driftwood rescued from the waters of Lake Geneva into an anthropomorphic sculpture: Hope. With this fragile yet victorious piece she offers to repair time and life leading us into a unique relationship to nature, landscape and ephemeral beauty.

A snowy landscape engulfing the world in a transitory state, a simple dry leaf softly dancing in a cobweb: everything is a pretext to reveal the invisible.

Isabelle de La Touche holds herself in this precarious balance of her own poetic vision of the world, disappearing at times, affirming herself at others, questioning our own relationship with Nature.


1962 born in Paris     


1984-1987 Art History  Bachelor


1984 training program with french Historical Monuments on conservation


1984-1986 apprenticeship with Armando Morales, Nicaraguen artist former teacher at la Cooper Hewit NY: prepares his canvases, enlarges his sketches transposing them with lean paints


1985-1998 Atelier de Recherche Picturale : Learns about painting techniques from Fayum to acrylics.

Copies Rembrandt, Vermeer… 


1991 introduction to sculpture. Curator to a collection of old master’s drawings and paintings


1995-1996 restructures a garden to welcome a sculpture


1999 Interior decoration: using rough materials as concrete, wood, plywood. Studies and designs furnitre: staircases, tables, benches, chest of draws…


2003 travels to China to learn about ink


2008 travels to Tibet


2014 discovers Japan : fascination for gardens, minimalism and refinement.


2017 starts working on Hope


2019 : Galerie Alice Pauli, sculpture 

​2017 : Nefertiti: apparition/ disparition Cabinet des Curiosités, Verbier, Suisse

2016 : Meditation, Cabinet des Curiosités, Verbier, Suisse

2013 : Site Leclanché, Suisse

2010 : Atelier de Lully, Suisse

2006 : Chapelle de Collex-Bossy, Suisse

2004 : Flores y Bodegones : Galerie Arts et Lettres, Vevey, Suisse

1997 : Peinture Mexicaine Contemporaine Maison de l’Amérique Latine, Paris, France